Wednesday, January 7, 2009
3 silent films
I kind of want to talk about something different about the silent films that I don't think will get covered a whole lot in class. After watching the 3 films I began to notice differences in the music that was being played. I was a Music Education major up until last semester so I tend to notice weird things like these. In the first movie we watched, A Child of the Big City, the whole thing was played by piano and the mood nor the tempo really changed throughout the movie. I really want to point out that in the 3rd movie we watched with the ballerina Gizelle, every time she appeared a theme was played. I am sure many of you have heard it at some point in your lives; for me I have even played it a few times. It is entitled Le Cygne (1866) by Camille Saint-Saens, but most people will know the piece as "Wishing You Were Somehow Here Again" rewritten by Andrew Lloyed Webber for The Phantom of the Opera. Almost every time Gizelle appeared in her ballerina outfit this movement would play. I found it very interesting that movies this early were already using this kind of music. Music adds a lot to a movie and can help to interpret how a person might be feeling. The music will be sad and slow when some one is unhappy, or for instance when Gizelle dances the music is somber. Other times music can set the mood for agitation or great joy. From the three movies as a whole, this was the most interesting aspect that stood out to me.
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Nice observations on the music here. Though do note that the soundtracks we heard for all three of these films were only recorded recently and added to the silent films. Back when the films were originally shown they would generally be accompanied by a live piano player who would frequently improvise.
ReplyDeleteBut any performance of The Dying Swan will, as you point out, necessitate using Saint-Saens's music for that sublimely beautiful ballet number. And you're also quite correct that we can frequently hear the theme popping up in slightly veiled and morphed ways when Gizelle appears on screen throughout the film. (Apart from the Saint-Saens motif, the soundtrack that we listened to for this edition of Dying Swan was written by Joby Talbot and played by Jonathan Carney (violin), Philip Sheppard (cello) and Talbot (piano)).
I hope to mention this in class tomorrow, but just in case we don't get the chance: Vera Karalli (the actress who plays the Giselle) actually toured for awhile along with the film and would perform the ballet number live both before and after the screenings of the film!